What instrument characterises a herd of running bison? What sound would you use to illustrate a feeding hummingbird?
On April 22, Nat Geo WILD will air “Symphony for Our World,” a one-hour orchestral celebration of our little blue planet. The immersive multimedia piece pairs natural history footage from National Geographic’s archives with the symphonic stylings of Bleeding Fingers Music in collaboration with X Ambassadors, the American rock band famous for the songs “Unsteady” and “Renegades.”
How to Score Nature
The symphony covers five movements, starting with seas and progressing through shore, land, mountains, and sky biomes. Austin Fray scored the overture, in addition to the sea, land, and sky movements, while Andrew Christie took on the movements for shore and mountains.
“Anytime it’s huge and epic, me and Andrew both love that,” says Fray, who has worked on films like Star Trek Beyond and The Hobbit. “I try to put a lot of excellence into everything I write.”
This Earth Day, Nat Geo WILD embarks on a symphonic celebration of the beauty of our planet in a new global event Symphony for Our World, available on Nat Geo WILD on Earth Day on Sunday April 22.
The composition starts off with sweeping shots of the ocean backed by swelling woodwind and string melodies. The crashing of waves emerge as the rest of the symphony joins in, and the setting eventually dips under the surface to capture marine life, from plankton, octopuses, and coral to sea turtles and countless species of fish.
The melody alternates within each movement depending on the footage. In Shore, the tone goes eerie with creeping prey and tense with predator attacks. In Land, jumping beats set the soundtrack for playful baby animals and epic swells narrate intense animal battles. The sounds of nature hover throughout the symphony, whether in the form of croaking frogs or howling wolves.
Fray says Seas was his favourite because of his background. His family lived on a sailboat for two years when he was growing up.
“It took me back home, took me back to my family,” Fray says. “It was just something that I really connected with.”
For this movement, Fray dissected the sea ecosystem to see what set it apart sonically from the other environments. He heard a hardness in the coral reefs and molluscs that he translated into percussive marimba and xylophone sounds. For later movements, his mind went to piccolos for hummingbirds and percussion for animal herds. Fray’s eclectic musical tastes give his sound a simultaneously detailed and vast tone.
In contrast, Christie’s movements are more layered and weighty. The LA-based Australian composer, whose resume includes Rush and Girl Rising, interpreted the footage more abstractly.
“It’s hard to intellectualize it. It was more just, for me, watching the picture and intuitively reacting to it,” Christie says. “The Australian aesthetic is open, wide space, [and] it comes out of my music quite a bit.”
In collaboration with the Bleeding Fingers composers, the sounds of X Ambassadors make an appearance in the score. Singer Sam Nelson Harris’ wailing vocals accompany piano riffs and drum elements, offering a lyric-less accompaniment to the classical music. Fray says the vocals brought in a raw human element that couldn’t be made with instruments. The lack of lyrics freed the composers to experiment with their creative liberties.
BEHIND THE SCENES: X AMBASSADORS & BLEEDING FINGERS - Take a look behind the scenes of X Ambassadors’ recording session at Bleeding Fingers Music studio, where they collaborated to create the unique orchestra-meets-rock-band sound featured in Nat Geo WILD’s Earth Day special ‘Symphony for Our World.’
“There’s no dialogue to hide under,” Christie says. “It’s educational in a different way [without] narration.”
Triumphant melodies and musical bursts make the composition downright inspiring, and Fray and Christie hope that “Symphony for Our World” will move people to care more about our world.
“If people aren’t aware or not making that emotional connection with different parts of the planet, it’s harder to not care about environmental conservation,” Fray says. “Any program like this has a lot of weight and importance as things get harder and harder on the environment. We need to keep making these documentaries to keep the conversation going.”
LEAD IMAGE: Symphony For Our World - National Geographic