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“It has a beginning in Siem Riep, where we see in Angkor Wat the temples, and then going down the Mekong river, going to Ho Chi Minh City … there is a natural story,” Niemann says. “Whether I work with it or against it is another question later.”
In a region with so much natural beauty, ancient architecture, and vibrant culture, travellers can easily get stuck behind their viewfinders—consumed with capturing the most vivid moments for their photo albums and Instagram feeds. But over the years, Niemann has developed a different method of documenting his trips.
“I always drew when I travelled… I draw just to calm down essentially, so I’m not constantly checking my phone,” he says.
Niemann believes that painting and drawing his experiences creates a dialogue between his mind and a place—this process ultimately allows him to turn the lens on himself. “Essentially the drawing is like a visual filter,” he explains. “You take the world—and you take it through the abstraction of your drawing—and you start seeing differently.”
He highlights the real-life imperfections and surprises that often happen behind picture-perfect scenes. Niemann also explores these moments of contrast by literally drawing himself into the photographs he takes.
“Usually when I see a perfect image … as a viewer, I am on the outside of this, but on the other hand I think, of course, we are always, we are projecting ourselves into these images,” Niemann says. “We are always part of that story."